The 'spietskip', or 'impaler poultry' (Tabulae mortuae VIII, Archives XVIII)

 The ‘spietskip’ is mentioned in the Furaha book; the book contains a short section about the prehistory of the Furaha project, showing old paintings. The word ‘spietskip’ is a made-up Dutch word (the Dutch language allows everyone to make new words by stringing together existing ones). ’Spiets’ means to skewer or impale, and ‘kip’ means ‘chicken’: a ‘spietskip’ is therefore literally a ‘skewer chicken’, although ‘impaler poultry’ sounds more dramatic. 

Click to enlarge; copyright Gert van Dijk

The painting shown above is really old. Over time the animal, with it bird-like plumage and overly reptilian head, fitted less and less within the evolving hexapod scheme. One solution in such cases was extermination, and the other was a redesign. The idea behind the spietskip appealed to me: a small carnivore, hunting from a hiding place among reeds, and catching prey with front legs that are fishing spears. I also thought at the time that The Book needed more scalates. There is ample room for adaptive radiation within every scalate group. Carnivores definitely needed more radiation, to show their range from mouse-sized squigglers to slow massive carrion eaters specialising on dead rusps.

So I had wondered whether redesigning the spietskip might work. An animal clinging to reeds need to have legs with a large movement range, and feet that can grab a reed from about any angle. That should not pose to much of a problem for the general scalate design.

 

Click to enlarge; copyright Gert van Dijk

Here is a simple Zbrush sculpt showing a spietskip following the scalate redesign, including the distal and proximal neck with the neurocranium in between. I now think it is too bulky. It is often difficult to get a good idea of the mass of small mammals and birds, because their fur and feathers make them look much bulkier than they really are. If you see a wet cat, you can see how little mass it really has. Let’s just pretend that the Zbrush sculpt already includes its covering. As you can see, the limbs are very simple; that is because such sculpts were only made to help with perspective and composition, and details can simply be drawn later.

Click to enlarge; copyright Gert van Dijk

 

After importing the body into Vue, I played with limb positions, here simple cylinders, and the overall viewing angle, which was similar to that of the original painting. 

Click to enlarge; copyright Gert van Dijk

 

I could easily have take this image as a rough background and could have started drawing over it, before finally sitting down to paint.

Click to enlarge; copyright Gert van Dijk

However, sometimes drawing without any such 3D aids resulted in livelier images, perhaps at the cost of some perspective mistakes. That’s why I also did a very quick sketch right over the adapted old oil painting. This sketch could also have been the starting place for a new drawing and painting. 

But around that time I realised that I could keep on designing new radiations forever, and that there already enough material for a book already. And that is why the evolution of the spietskip stopped. 

Perhaps I will pick it up again, some day. But first, I am preparing for DinoCon, where I will be selling The Book, images and some other stuff. There are also posts to write on the ever-intriguing theme of how many legs animals should have in speculative biology projects, and on colour changing. 

And for people in the USA, don’t forget that The Book will finally be sold directly in the USA through Simon and Schuster, starting on 28 July, 2026.