More on Furaha at TetZooCon 2022

As usual there are many other things going on (nice ones, I'm happy to say!) so I am behind with blogging. But I do have some nice subjects almost ready, of which the one that must take precedence is the upcoming 'TetZooCon'!    

There will finally be a real live Tetrapod Zoology Convention again: TetZooCon 2022, on 3 & 4 December 2022! Have a look at the programme, which looks to be as fascinating, if not more so, than previous versions. If you like your biology mixed with some art and are not afraid to visit the outer regions of  biological disciplines, have a look. I have very fond memories of my earlier visits.

The art in question is 'palaeoart', meaning 'Palaeontological Art'. I have never written about Palaeoart before (or 'Paleoart'; I'll stick to 'Palaeoart' because I've set my spelling checker to the version of English closest to me, which happens to be British English). The simple reason for me ignoring palaeoart is that this blog is about the part of speculative biology that deals with life elsewhere, as reflected in the title 'Furahan Biology and Allied Matters'. I guess I could stretch the 'Allied matters' some more, and in fact I did when I showed my attempt at dinosaur sculpture. That doesn't mean I do not like Palaeoart; far from it! I love it. Palaeoart is blossoming these days, thanks to an explosion of interesting new discoveries that need to be depicted, and to a parallel explosion of talent all over the world. If you want to have a look at what is happening, please take a look at the book 'Mesozoic Art: Dinosaurs and Other Ancient Animals in Art' by Steve White and Darren Naish.

 

Click to enlarge; copyright White and Naish

I just received my copy and think it is excellent. Mind you, the two earlier books by Steve White on a very similar there are also excellent, with a large format and high printing standards: Dinosaur Art (2012) and Dinosaur Art II (2017).

There will be a Palaeoart workshop at TetZooCon, run by John Conway, as well as a Palaeoart Exhibition. I will show some Furaha prints there for only the second time ever. Mind you, when I learned about this exhibition, I wasn't aware yet that it was about palaeoart, so I applied, and now I realise that I am a sort of intruder there, showing work that isn’t 'palaeo'. Perhaps I should call it 'AllothenArt' ('Elsewhere') or PlagioArt ('Sideways'), but I don’t think those words will catch on…

The prints in question will show works, or versions thereof, that I have never shown in public before, apart for the exhibition in the Netherlands two months ago. So, if you are curious, you know where to go.

Click to enlarge; copyright Gert van Dijk

Here is a painting for those who cannot come to London. It shows a tetrapter, with the common name 'Red Baron' ('Dicella Gampsonyx', meaning 'pitchfork with crooked claws'). As you can see, it is a highly derived Tetrapter with several predatory adaptations. The red wing spots tell you that this is a female: have a look at the illustration here. By the way, I am learning how to preparing to sell and send prints over the internet, in particular involving selling prints abroad and outside the EU.

Back to TetZooCon: there will be a roundtable discussion about 'Designing Aliens', chaired by Darren Naish and me, with Jennifer Colbourne, Joschua Knüppe, Adrian Tchaikovsky and Dougal Dixon. If you like biology, science fiction, speculative biology, or preferably all three, I think you are going to love this.

Se you there!